Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Guardian Angel Ridolfi Paint Oil on canvas Old master 17/18th Century Italy

1640-1720

About the Item

Antichità Castelbarco SRLS is proud to present: Claudio Ridolfi (Verona, c. 1570 - Corinaldo, 1644) Workshop/circle The Guardian Angel in Glory Oil on canvas 124 x 84 cm. - With frame 148 x 110 cm. It carries with it a great charm this precious canvas, which has as its subject the Archangel Raphael in glory, one of the angels who stand before God singing his praises, here portrayed as a youth of eternal beauty soaring through the air thanks to his large outstretched wings. The angel is immortalised while symbolically pointing upwards with his hand and carries within himself the meaning of protector and is here portrayed as the emblem of the Guardian Angel. Two angels fly over him, posting the scroll with the inscription 'SIGNATVS NOBIS AD.CVSTODIAM', which refers precisely to prayers to God to assign us a guardian to watch over us. This is one of the most popular compositions by Claudio Ridolfi (Verona, c. 1570 - Corinaldo, 1644), of which several versions are known, such as those made around 1627 for the altars of the Churches of St. Luke the Evangelist (Imm.1) and St. John in the Forum (Imm.2), both in Verona. The figure of the angel is striking for its luminosity, beauty and perfection, together with the explicit gestures of his hands to indicate the upper part of the composition, where one can see the figure of the protégé, presumably related to the commissioner, kneeling in the presence of Jesus, the Virgin and St. Peter, protector of the city. The work is eminently named by the painter and scholar Saverio Dalla Rosa who, in admiring Ridolfi's work, described it in the following words: "We can see the beautiful winged young man composed in his stance and gracefully suspended in the air, descending from the sky, stopping his flight and lightly resting his foot on the world depicted on the terrestrial globe; a celestial figure moved with grace, truly angelic in its physiognomy, elegant in its forms, and nobly adorned with garments, one could say that they are ruffled and sustained by gentle zephyr. The well-arranged folds, their pink and violet tints well united and iridescent, touched with that happy brush of hers, wonderfully express the appropriate lightness. I do not know if the contours themselves could be more noble and ornate for an angel". Claudio Ridolfi, an aristocratic painter from a noble Veronese family, moved to Venice in his early twenties as a pupil of Paolo Veronese, then to Rome and Urbino, where we find him in 1590 in Federico Barocci's workshop. He soon embarked on an independent career, first in Le Marche but later in Verona, which would lead him to great success in the first decades of the 17th century thanks to his delicate and refined style, combined with consistently excellent quality, producing devotional works for local churches. His fervid artistic activity unfolded between public successes and patronage requests, thanks also to his extraordinary skill and speed of execution in portraying sacred characters imbued with realism, but never dramatic or suffering, as well as a good line-up of pupils, among whom we can remember Giovanbattista Amigazzi, Girolamo Cialdieri and Benedetto Marini. ADDITIONAL INFORMATION: The painting is sold complete with an attractive gilded frame and is accompanied by a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. Should you have the desire to see this or other works in person, we will be happy to welcome you to our new gallery in Riva del Garda, Viale Giuseppe Canella 18. We are waiting for you! Contact us for any information or to arrange a visit, we will be happy to answer you.
  • Creation Year:
    1640-1720
  • Dimensions:
    Height: 58.27 in (148 cm)Width: 43.31 in (110 cm)
  • Medium:
  • Movement & Style:
  • Circle Of:
    Claudio Ridolfi (Verona, c. 1570 - Corinaldo, 1644) (1570 - 1644)
  • Period:
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988113039902
More From This SellerView All
  • Portrait De La Fosse Rigaud Paint Oil on canvas 17/18th Century Old master Art
    Located in Riva del Garda, IT
    Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) attributable Portrait of the painter Charles de La Fosse (1636-1716) oil on canvas 60 x 52 cm/ In a beautiful frame cm. 113 x 78 The ...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

  • Saint Jerome Oil on copper 16th Century Paint Old master Italy Emilian school
    By Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
    Located in Riva del Garda, IT
    Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589) St. Jerome penitent in the cave ...
    Category

    16th Century Old Masters Paintings

    Materials

    Oil

  • Pietà Cherubs Paint Oil on canvas Religious Rome 16/17th Century Michelangelo
    Located in Riva del Garda, IT
    Peintre actif à Rome au XVIe siècle - entourage de Scipione Pulzone (Gaeta 1550 - Rome 1598) La Pietà (Christ mort soutenu par la Madone) huile sur t...
    Category

    16th Century Old Masters Paintings

    Materials

    Oil

  • Madonna Child Tiarini Paint Oil on canvas Old master 17th Century Italy Baroque
    By Alessandro Tiarini (Bologna, 1577 - 1668)
    Located in Riva del Garda, IT
    Emilian Caravaggesque painter of the early seventeenth century Alessandro Tiarini (Bologna, 1577 - 1668), attributable Madonna and Child Early seve...
    Category

    17th Century Old Masters Paintings

    Materials

    Oil

  • Deposition Atala De Roussy-trioson Paint Oil on canvas 19/20th Century French
    Located in Riva del Garda, IT
    The deposition of Atala Follower of Anne-Louis Girodet de Roussy-Trioson (Montargis, 1767 - Paris, 1824) 19th-20th century Oil on canvas 47 x 65 cm. - Framed 67 x 84 cm The propos...
    Category

    Late 19th Century Old Masters Paintings

    Materials

    Oil

  • Portrait Noblewoman Dog Van Loo Paint 18th Century Oil on canvas Old master Art
    Located in Riva del Garda, IT
    Louis Michel van Loo (Toulon 1707- Paris 1771) attributable Portrait of a noblewoman with her little dog Oil on canvas (79 x 66 cm. - with frame 92 x 78 cm.) A qualitative portrait depicting an elegant noblewoman of French origin, presumably belonging to the wealthy court of Versailles during the reign of Louis XV; this work fully reflects the pictorial qualities as well as the refinement of the compositional style of the French painter Louis Michel van Loo (1707- 1771), one of the most significant portrait painters of his time, and for this reason in demand at the most noble European courts. The work, taking up the traditional formula for portraits of members of the aristocracy, shows the effigy in a half-length pose, slightly turned to the right and looking directly at the viewer. The woman, with a regal bearing, is here portrayed intent on completing her daily beauty ritual, wearing a cape during her make-up, which must have just been completed as pink powder is visible on her cheeks. This luxurious garment reveals a corset with a daring neckline, made of silk and lace, and a coral-coloured dress ending in wide jabote cuffs. Her hair is styled in the French fashion in a hairstyle that highlights her facial features. Having finished her beauty ritual, the woman is intent on removing her cape with one hand, an elegant gesture that emphasises her noble pose. At her side is her small pet dog, sitting on a blue velvet cushion with gold trim. The canvas may have been made on the occasion of a wedding, elegantly celebrating the role of a member of the aristocracy. The presence of the pet depicted in her arms had in fact a precise meaning: the fidelity that is such a well-known characteristic of the dog, declared at the same time the virtues of the effigy. Louis Michel van Loo (Toulon 1707- Paris 1771) was the son of the painter Jean Baptiste van Loo, with whom he studied in Rome and Turin. He attended the Paris Academy, where he won the first prize for painting in 1726. In 1728 he returned to Rome, where he met Francois Boucher. In 1732, passing through Turin, he returned to Paris. In 1737 van Loo became court painter in Madrid, succeeding Jean Ranc...
    Category

    18th Century Old Masters Paintings

    Materials

    Oil

You May Also Like
  • The line of beauty and grace WH 1745
    By William Hogarth
    Located in St. Albans, GB
    A copy of the self portrait of William Hogarth with his dog, called Trump. A fantastic quality image possibly from Hogarth's original school of art. This piece is titled, dated and monogrammed. It is in an antique, period Louis XIV style frame. The painting measures 36 x 28" (92 x 72cm) Outside Frame Size: 45 x 37" (104 x 94cm) Hogarth began this self-portrait in the mid-1730s. Initially Hogarth painted himself wearing a formal coat...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Oil

  • The Hon. John Spencer
    By John Vanderbank
    Located in London, GB
    PROVENANCE Presumably commissioned by the sitter’s father-in-law, John Carteret, 2nd Earl Granville, Haynes Park, Thence by descent, Lady Louisa Carteret , who married Thomas Thynne,...
    Category

    Mid-18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 18th c. French Portrait of Louise Dorothea von Hoffman, signed H. Millot, 1724
    Located in PARIS, FR
    HENRI MILLOT PORTRAIT OF LOUISE-DOROTHÉE VON HOFFMAN Signed “h. millot” and dated 1724 on the back of the original canvas Henri Millot, French painter (Paris, active between 1699 an...
    Category

    Early 18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 18th C. Portrait of the 4th Earl of Sandwich a View of Constantinople Beyond
    Located in London, GB
    John Montagu, 4th Earl of Sandwich (13 November 1718 – 30 April 1792) Attributed to George Knapton (1698-1778) Dressed in the Turkish manner, stand...
    Category

    18th Century Old Masters Figurative Paintings

    Materials

    Oil

  • 19th century Portrait of a Lady, Attributed to Sir Frank Dicksee
    Located in York, GB
    Portrait of a very attractive Lady, head-and-shoulders in length monogrammed FD, inscribed to verso, oil on canvas, 50cm x 40cm whilst overall is 59 x 69 cm . In overall good condition some craquelure. Has been relined and cleaned. original frame some minor losses (self coloured) Frank...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Oil

  • Man in Tavern Smoking a Pipe /// Old Masters Dutch David Teniers Portrait Face
    By David Teniers the Younger
    Located in Saint Augustine, FL
    Artist: Unknown (Circle of David Teniers the Younger, Flemish, 1610-1690) Title: "Man in Tavern Smoking a Pipe" *No signature found Circa: 1690 Medium: Original Oil Painting on Wooden Board Framing: Framed in an antique gold gesso frame...
    Category

    1690s Old Masters Portrait Paintings

    Materials

    Gold Leaf

Recently Viewed

View All